“Art is a guarantee of sanity.” – Louise Bourgeois

November 6, 2018

And here are my October drawings of hands:

 

Inktober was my inspiration to use ink in all of my drawings this month. This included markers here and there, but as I enjoy working with a brush and ink, that was what I chose most often. Regardless of the ink I use, I generally start with three different shades with the addition of black at times. India ink is my favourite ink and I would create three different dilutions of greys to work with. I like the way that India ink lightens as it dries as I often overestimate how dark I want to work at first. For this same reason, I avoid using undiluted India ink as it is far too black for my taste. I like that India ink is waterproof as it allows me to layer and build up my darker areas as I go. I experimented in a lot of these drawings with other inks – mostly J.Herbin inks and a few other odd bottles I’ve accumulated. Some days I would mix a drop or two of one of my coloured inks in just to see what would happen (thus Shrek hand on the 27th).

Diluting India ink to the different greys I want is tedious at times, so when I found the Ecoline inks in grey, I thought that would be a huge improvement. They are beautiful inks, but not waterproof, so my layering technique resulted in a fair bit of muddiness. Clearly, I need to develop another approach to use with watercolour inks.

Overall, I think this month’s drawings went well. One of my goals this year has been to work with different media and different papers and I played a lot and learned a few things in the process.

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“There is no absolute point of view from which real and ideal can be finally separated and labelled.” – T.S. Eliot

October 22, 2018

And here are my September daily drawings:

 

In my high school art class, the teacher would set up a collection of objects on a large, wooden crate in the middle of the room. Everyone sat around it and there was enough of a variety of stuff piled up to provide us some choice in what we decided to focus on and draw regardless of where we were sitting. At the end of the drawing assignment, all of the class drawings were pinned to the wall and we created this wonderful collection of perspectives and snapshots of the larger view.

This is more or less what I tried to capture in September. I built a busy still life and chose a different portion or viewpoint of it to draw each day. It was challenging to come back to the same subject over and over, but I think that pushing through that initial resistance each time I sat down to draw was a valuable reminder that if I actually observe the everyday items in front of me, I will continually discover new aspects and details that I had missed previously. And this is kind of the point of drawing – to see something new in the familiar.

Here’s a photo of my entire still life for September and one of my drawings from my long-ago high school art class where, rather than choosing a small bit of the still life, I decided to draw everything in front of me.

September Still Life 2018

September Still Life 2018

Everything in Front of You, 1988, Ink on Newsprint

Everything in Front of You, 1988, Ink on Newsprint

“Choices are the hinges of destiny.” — Edwin Markham

September 24, 2018

In August of 2016, my son Ben and I started writing an interactive story called “The Legend of the Pockets”. For the longest time, we worked on it very sporadically, but in the last six months, it has become a Friday morning project that we work on at breakfast before our days begin. Although we may be consistently adding to it, the story is anything but consistent. And is nowhere near finished. It is quirky and strange and may even be somewhat amusing, but you will have to be the judge of that yourself. We have a lot of ideas about how to continue the story and we are open to hearing more suggestions. In the meantime, we are introducing it to the world here. We will be continuing to add to it on an ongoing basis.

Please feel free to leave any feedback and ideas as comments below. We hope you enjoy it.

Click to play Legend of the Pockets

Excerpts from LOTP:

“You put your hands in the pockets. They are oddly really deep, almost like you’re reaching into another reality.”

“Weirdly, his intense green eyes match his custom, designer Converse shoes.”

 

 

 

 

“Your path is at your feet whether you realize it or not.” – Agnes Martin

September 10, 2018

August drawings complete and posted. And once again I have spent the month mainly drawing a small number of objects in isolation and under harsh lighting. I’m trying to move out of my comfort zone in September – we’ll see how that goes when I post those drawings in October.

And on September 24, I will be posting a work-in-progress that is completely different from anything I’ve shown here before. It will be interactive, quirky and, hopefully, a fun experiment!

 

“I drew 550 different shoes today, it almost made me faint.” – John Cale & Lou Reed, “Open House” from the album Songs for Drella

August 13, 2018

Before I committed to drawing shoes for the month of July, I counted how many different pairs I could find in the house and was a little surprised that we have so many. And I didn’t draw them all – instead I drew some of my favourites over and over (repetition is sort of my thing) and included one drawing from a photo sent to me. I had also committed to use at least colour in every drawing – possibly not the best plan considering how many pairs of black shoes I chose to draw. One lesson learned: early on I realized that although laces are interesting, they increase the time requirement of the drawing significantly. Most days 30-45 minutes is as much as I can put aside to draw, so that became a determining factor when I was picking my subject each day. As usual, most of these are 5″x7″ and this month I managed to use a wide variety of media. Overall, I enjoyed this challenge and I’m fairly pleased with the results.

“Another belief of mine: that everyone else my age is an adult, whereas I am merely in disguise.” – Margaret Atwood

July 31, 2018

Warm Mineral Still Life, Jun 16, 2018, Oil on Canvas Board, 10" X 8"

Warm Mineral Still Life, Jun 16, 2018, Oil on Canvas Board, 10″ X 8″

Warm Modern Still Life, Jun 23, 2018, Oil on Canvas Board, 10" X 8"

Warm Modern Still Life, Jun 23, 2018, Oil on Canvas Board, 10″ X 8″

Cool Modern Still Life, Jun 30, 2018, Oil on Canvas Board, 10" X 8"

Cool Modern Still Life, Jun 30, 2018, Oil on Canvas Board, 10″ X 8″

Cool Mineral Still Life, Jul 10, 2018, Oil on Canvas Board, 10" X 8"

Cool Mineral Still Life, Jul 10, 2018, Oil on Canvas Board, 10″ X 8″

Warm Mineral Wheel, Jun 16, 2018, Oil on Canvas Board, 10" X 8"

Warm Mineral Wheel, Jun 16, 2018, Oil on Canvas Board, 10″ X 8″

Warm Modern Wheel, Jun 23, 2018, Oil on Canvas Board, 10" X 8"

Warm Modern Wheel, Jun 23, 2018, Oil on Canvas Board, 10″ X 8″

Cool Modern Wheel, Jun 30, 2018, Oil on Canvas Board, 10" X 8"

Cool Modern Wheel, Jun 30, 2018, Oil on Canvas Board, 10″ X 8″

Cool Mineral Wheel, Jul 10, 2018, Oil on Canvas Board, 10" X 8"

Cool Mineral Wheel, Jul 10, 2018, Oil on Canvas Board, 10″ X 8″

I have a tendency to paint with the same colours over and over. I use my favourites and I am not unhappy with the results, but I would definitely gain from expanding my horizons. These paintings are an attempt in that direction. Gamblin puts out a chart of their colours categorized by pigment type – Modern and Mineral Colours. I thought it would be interesting to create a series of paintings using colours in each group, choosing three warm primaries and three cool primaries from each category and mixing my secondary colours to produce four different paintings of the same subject matter. I started with a colour wheel for each to get a feel for the colours before I started working with them. I’ve discovered some new favourites in this process and I’m playing with a few more ideas for future work springing from this experiment.