August 2020 Drawings. All shoes. All of the time. Except when they’re not shoes. A few of these were kind of experimental and sometimes that worked, sometimes it didn’t.
“The art of life is to show your hand.” – E.V. Lucas
July was all about drawing hands – mostly with graphite. This is the fourth year that I chose to spend a month drawing hands. I want to say that I have clearly improved since those drawings back in 2017, but I really like those first images. I do have a few favourites from this past month though. I quite like July 17 with the bizarre angle and the energetic, sketchy look. I also really like the 30 second blind contour drawing from July 8. That was one of those days when I just had no time and no patience and just wanted to get it done. Beyond the hand drawings, as much as I am missing my favourite Starbucks cup, I like the way my painting of it’s remains turned out on the first of the month.
For the sake of comparison, here are links to the previous months of hand drawings.
Hand drawings from November 2018
“It starts with this: …”
“It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn’t in the middle of the room. Life isn’t a support system for art. It’s the other way around.” – Stephen King
June was another scattered and chaotic month and I didn’t even try to do anything intentional with my drawing beyond just showing up everyday and spending time at it.
It was a month where I found my materials provided me some inspiration. On one of my trips out into the world (beyond work), I found a pack of pens on sale at Staples. When I picked them up, I had thought they were pigment pens, but later realized they were paint pens: Derwent Graphik Line Painters to be precise. The set I have is #2 – which includes 5 colours: ‘High’ (light blue), ‘Brilliant’ (dark blue) ‘Envy’ (green), ‘Clockwork’ (yellow) and ‘Bricklane’ (red). These pens are fine-tipped at .5mm, opaque and permanent once they dry, but while they are wet, they are water soluble. It’s not difficult to get them to spit out a bit of extra ink that you can use as a wash or splash across the page. I played with some of these techniques – not nearly as artfully as the people on YouTube, but it was interesting (June 6 – 8). The fact that they are fine makes it a bit tedious to fill large spaces, but I intend to pick them up again soon.
I found myself drawing hands a few times in June and at the end of the month I resorted to graphite – which turned into my plan for my drawings in July, which I hope to post in the next couple of weeks.
Thank you for checking out my work.
“There is intelligence when you are not afraid. “ – Bruce Lee
So I’m only two months behind in posting my daily artwork. I hope to be caught up by the end of the summer and back on track for the fall – I figure a global pandemic should warrant leniency. Above are my daily drawings / paintings from May – a bit of a scattered mess really – and so it is appropriate that I provide a scattered mess of thoughts about them.
It was another month where I didn’t feel all that inspired, but kept at it regardless and found myself playing with materials to make things more interesting. My peppers on May 3 were done in gouache – a medium that I haven’t used for many years, but nevertheless had in a drawer and enjoyed working with again. May 7 I found myself combining grey scale markers, a dull pencil and watercolours. It’s an odd combination, but I kind of like it and the strange mix of textures. My impulse online pandemic shopping included the Gamblin Reclaimed Earth Colours (how could I NOT buy them – they are limited edition and really pretty!) and for my May 9 painting I wanted to work with the Rust Red. I like the palette I used in this painting and may revisit it again at some point. Sadly it reminded me of Starbuck’s Lemon Raspberry Loaf that I haven’t seen for quite some time. My May 10 ultra green pears were a combination of pigment pen, brush and ink and watercolour. I came very close to not drawing at all on May 16 – somehow life was just overwhelming that day – but instead I experimented with the Procreate app and an Apple Pencil and ended up with this odd chair drawing. I definitely have a lot to learn about this medium – perhaps I will delve further into it at some point. May 17 was the first painting in my series documenting the very short life of the tulips near my front steps that I inadvertently planted in sub-optimal sunlight conditions. I spent more time playing with water colour this month – on the 18 and 20. May 21 is my abstracted rendition of the Alberta Gallery of Art – a building fashioned of large undulating swathes of metal. Can you tell I was reading about Lawren Harris on May 22? More tulips on the 24 and 16 – these were the early days when they were still young and alive (no spoilers – really). I have always loved rendering fabric and I did so with a varying degree of detail on the 25 and 27. May 29 may become a painting – I like the strong line of the profile I referenced from Antonio Pollaiualo’s Portrait of a Lady and the de-emphasis of the details of the face. Back to markers for the last two days of the month mainly because they are quick and fun to use.
All in all it was a haphazard month, but I made it through and didn’t miss a day. Sometimes I sit down to draw and it feels like such a chore and I wonder what the point is, but I push myself to follow through and just do it. Sometimes on those days I walk away afterwards feeling like all I accomplished was checking a box – only to return the next day and think “hey – that’s kind of cool, I need to do something like that again!” Of course other days I come back and wonder what I was thinking, inclined to crumple it into a ball and forget I had bothered. And none of that matters really. What matters is to come back. Over and over. And eventually what I draw will become something I’m proud of.
Thanks for checking out my work. Come back soon to see how June and July went.
Do not be afraid of being wrong; just be afraid of being uninteresting. – T. Carl Whitmer
It’s June and just more than three months into this global pandemic – these ‘unprecedented’ times – and although in a lot of ways I am settling into this new and ever-changing normal in some ways, I am feeling very erratic in my art production. And it shows in my artwork from April. I‘m going to optimistically say that I’m starting to have more days where I feel like I have a bit more focus, energy and time to apply myself, but it is a very slow trend in that direction.
I am still creating art every day. Some days that may just be playing a bit with watercolours (it seems I’m watercolour challenged, but I’m still trying) and other days I will do quick blind contours or quick line drawings. I find pulling out materials that I don’t often use or have maybe never used, helps – if for no other reason than there’s very little pressure to achieve any particular standard. Right now my intention is to continue drawing or painting every day. And as I get to it, I will post my artwork here.
“I don’t know what kind of an artist I am.” – Jasper Johns
Ok, so March was a busy month for me – and that was before the global pandemic arrived. I had great aspirations at the beginning to experiment with various approaches to create tone with line so I could discover the one I liked the best and could then refine it. I had it all planned – angled parallel lines, then cross-hatching, then squiggly lines and then something else and early on, as you can see, I just crashed and burned. I managed to create one small painting the first weekend, but right after my smeary red cream pitcher all of my plans just went off the rails.
I did continue to spend time every day drawing – even though it was often a few minutes of blind contours. Or it was a few minutes playing with the thick Faber Castell brush markers that I bought on impulse and have in only 5 colours. And really, life happens and the best laid plans and intentions need to adjust to that.
March was an odd month, but even though at the time, those 5-10 minutes of drawing seemed like I was just checking a box, I’m actually kind of pleased with the results. And I’m reminded that any one or two days (or the entire month) really doesn’t matter. It’s all about continuing on. While quality and focus and those high ideals are fine, at the end of the day, it’s about showing up and doing what I can and letting the quality bits float to the top when I view the month’s, or the year’s work as a whole. And so I continue.
“You have to learn to feel confident about the prospect of failing, because it’s so inevitable.” – Andrea Zittel
Tuesday, April 14, 2020
“All artists are two-headed calves.” – Truman Capote
February 3, 2020
“There are no happy endings. Endings are the saddest part, So just give me a happy middle. And a very happy start.” – Shel Silverstein
December 31, 2019
Happy New Year!
Another month of daily drawings completed and my third year of daily drawings done. I have big plans for 2020, but they will take time – good thing I have the entire year! I will continue creating art every day (or most every day) and will post the results here as I go. Just for fun, here are my images from December 2017 and December 2018.