August 2020 Drawings. All shoes. All of the time. Except when they’re not shoes. A few of these were kind of experimental and sometimes that worked, sometimes it didn’t.
July was all about drawing hands – mostly with graphite. This is the fourth year that I chose to spend a month drawing hands. I want to say that I have clearly improved since those drawings back in 2017, but I really like those first images. I do have a few favourites from this past month though. I quite like July 17 with the bizarre angle and the energetic, sketchy look. I also really like the 30 second blind contour drawing from July 8. That was one of those days when I just had no time and no patience and just wanted to get it done. Beyond the hand drawings, as much as I am missing my favourite Starbucks cup, I like the way my painting of it’s remains turned out on the first of the month.
For the sake of comparison, here are links to the previous months of hand drawings.
“It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn’t in the middle of the room. Life isn’t a support system for art. It’s the other way around.” – Stephen King
June was another scattered and chaotic month and I didn’t even try to do anything intentional with my drawing beyond just showing up everyday and spending time at it.
It was a month where I found my materials provided me some inspiration. On one of my trips out into the world (beyond work), I found a pack of pens on sale at Staples. When I picked them up, I had thought they were pigment pens, but later realized they were paint pens: Derwent Graphik Line Painters to be precise. The set I have is #2 – which includes 5 colours: ‘High’ (light blue), ‘Brilliant’ (dark blue) ‘Envy’ (green), ‘Clockwork’ (yellow) and ‘Bricklane’ (red). These pens are fine-tipped at .5mm, opaque and permanent once they dry, but while they are wet, they are water soluble. It’s not difficult to get them to spit out a bit of extra ink that you can use as a wash or splash across the page. I played with some of these techniques – not nearly as artfully as the people on YouTube, but it was interesting (June 6 – 8). The fact that they are fine makes it a bit tedious to fill large spaces, but I intend to pick them up again soon.
I found myself drawing hands a few times in June and at the end of the month I resorted to graphite – which turned into my plan for my drawings in July, which I hope to post in the next couple of weeks.
Thank you for checking out my work.
It’s June and just more than three months into this global pandemic – these ‘unprecedented’ times – and although in a lot of ways I am settling into this new and ever-changing normal in some ways, I am feeling very erratic in my art production. And it shows in my artwork from April. I‘m going to optimistically say that I’m starting to have more days where I feel like I have a bit more focus, energy and time to apply myself, but it is a very slow trend in that direction.
I am still creating art every day. Some days that may just be playing a bit with watercolours (it seems I’m watercolour challenged, but I’m still trying) and other days I will do quick blind contours or quick line drawings. I find pulling out materials that I don’t often use or have maybe never used, helps – if for no other reason than there’s very little pressure to achieve any particular standard. Right now my intention is to continue drawing or painting every day. And as I get to it, I will post my artwork here.
Ok, so March was a busy month for me – and that was before the global pandemic arrived. I had great aspirations at the beginning to experiment with various approaches to create tone with line so I could discover the one I liked the best and could then refine it. I had it all planned – angled parallel lines, then cross-hatching, then squiggly lines and then something else and early on, as you can see, I just crashed and burned. I managed to create one small painting the first weekend, but right after my smeary red cream pitcher all of my plans just went off the rails.
I did continue to spend time every day drawing – even though it was often a few minutes of blind contours. Or it was a few minutes playing with the thick Faber Castell brush markers that I bought on impulse and have in only 5 colours. And really, life happens and the best laid plans and intentions need to adjust to that.
March was an odd month, but even though at the time, those 5-10 minutes of drawing seemed like I was just checking a box, I’m actually kind of pleased with the results. And I’m reminded that any one or two days (or the entire month) really doesn’t matter. It’s all about continuing on. While quality and focus and those high ideals are fine, at the end of the day, it’s about showing up and doing what I can and letting the quality bits float to the top when I view the month’s, or the year’s work as a whole. And so I continue.
Tuesday, April 14, 2020
February 3, 2020
December 31, 2019
Happy New Year!
Another month of daily drawings completed and my third year of daily drawings done. I have big plans for 2020, but they will take time – good thing I have the entire year! I will continue creating art every day (or most every day) and will post the results here as I go. Just for fun, here are my images from December 2017 and December 2018.
December 9, 2019
November 4, 2019
For my daily drawings in October I decided to continue drawing faces, but to increase the challenge a little. Before last June I had always shied away from drawing faces as I found it very intimidating. Last year and again in September, I used other artists’ work as my reference. This made it a little easier as the original drawings or paintings were already artistic interpretations and therefore once removed from realistic representations. The artist had already made decisions about what to keep in and what to leave out, etc. The fact that I could never reproduce the finished drawing or painting accurately didn’t bother me – I was happy if it looked like a face.
In October, it was a real challenge to turn to photographs as reference. Now I had to make my own decisions about how to simplify the visual information in the photos into a line drawing. I continued to use a dip pen and ink in order to avoid getting too precious. Of course, it meant that my accuracy is sacrificed, often resulting in uneven eyes and bizarre proportions – and I’m ok with that. Overall I am pretty pleased with my drawings in October. Some of them are even recognizable as SPECIFIC people.
In November I am leveling up again. This time I am working with photos, but I am going to begin in pencil and then build up both line and tone with a dip pen, a brush and ink washes. It’s all experimental and I’m working to come up with a process that works well for me and provides a result I’m happy with.
I’ve decided to redraw all of the same faces from October to make it a bit more interesting. So far it’s been fun to look at the two drawings of the same face side by side. I’m posting my drawings every day or so on Instagram and will post all of the drawings together in early December.