“I know there is a terrific idea there somewhere…”

March 12, 2019

“I know there is a terrific idea there somewhere, but whenever I want to get into it, I get a feeling of apathy and want to lie down and go to sleep.” – Willem De Kooning

 

I really enjoyed my drawings this month – there was a good balance between the challenge of each one and my interest in the subject matter. I’m sure I will be coming back to this subject matter again.  The shapes of the negative space and the legs provide such a great opportunity to forget what this thing you’re looking at is and just focus on where to put the next line. For the most part, I worked from photos. I had set out to draw all of the chairs in my house and I did get to most of them – except for the four different office chairs that were just bland to me. And there are just so many beautifully designed chairs out there that it would have been such a loss to stick to the ones in my immediate surroundings. I am now finding myself noticing (and photographing) chairs much more as I am out – at restaurants and in the mall. I am slowly building a collection of new chairs to do this all over again down the road with new fodder.

Part of my inspiration for this subject matter comes from the work of Lucia Dill and her paintings of folding chairs. I love everything about these paintings and the narratives she builds into them.

And now it’s spring and I’m working on more drawings to post here next month.

Advertisements

“Canada is the only country in the world that knows how to live without an identity.” – Marshall McLuhan

January 28, 2019

 

These are a few drawings from my daily sketchbook from August through November. Somehow I’m able to play a little more when I’m drawing in my sketchbook and sometimes wonder if maybe I should just dispense with using the cut paper and just draw here – I may prefer the results. But I don’t want to be restricted to the same paper every day. It’s the looseness and the textures that I like the most in these particular drawings – I am still working on accomplishing that more frequently. And so I continue on.

“This world of the imagination is fancy-free and violently opposed to common sense.” – Mark Rothko

January 14, 2019

In 2019 I want to paint more regularly. Last year I found I wasn’t interested a lot of the time and because I don’t get a lot of time to paint, it’s important that I take advantage of what I can do. My goal this year is to paint weekly on Friday nights. I will start the year by painting small paintings that are not that different from my daily drawings and I hope to complete a few larger canvases as well.

In the last few months, I have been painting smaller items. The good part is that they are finished quickly so if they are mediocre, at least the time investment was small. And sometimes they turn out not too badly. I’ve also started painting small abstract pieces to finish the evening. The images above are a mix of what has come out of my recent painting sessions.

“Boredom is the deadliest poison.” – William F. Buckley, Jr.

 

So at the end of October, I was really sick of drawing every day and I considered stopping. I was uninspired and it felt like a huge chore to continue. But I’ve been doing this for almost two full years now and didn’t want to give up either. I decided to focus on value and I started the month using markers representing a light, a mid and a dark value. This only lasted a couple of days, but it gave me the idea to start playing with value and simplified shapes. I continued to limit myself to three and then two colours and by the end, I actually enjoyed the drawing process again. As usual, through the month I worked with a few different papers and am including some notes about some of them along with a couple of things I learned along the way.

  • Nov 15 – 16 – Arches BFK Rives – Really not my favourite paper. It is very soft to the touch and somewhat delicate. Erasing takes a bit of the surface off and I found my ink colours bleeding at times – not what I was looking for.
  • Nov 17 – Yupo – Another paper I don’t like. I hear people rave about what you can do with watercolours on this material, but I am not a fan. I learned that if you erase pencil on Yupo, it then resists ink. My ink colours also faded very quickly.
  • Nov 21 – 26, and Nov 28 -30 – TerraSkin – I liked the TerraSkin, even though I found my colours would bleed at times. I found pencil does not erase after the ink has been applied on TerraSkin and that was annoying. I discovered that Liquitex Muted Turquoise (Nov 28) is the same colour as Dr. Ph Martin’s Juniper Green (Nov 29), but the brush strokes don’t show as much with the Ph Martin’s on the TerraSkin. Really liked the way the Ecoline inks smoothed out on the surface and the brushstrokes disappeared on the TerraSkin.

“You have to be brave to make mistakes in public.” – Louise Page

November 21, 2018

And here are the paintings that I’ve come up with over the last few months.

Vase Family, Sep 3, 2018, Oil on Canvas Board, 7" X 9"

Vase Family, Sep 3, 2018, Oil on Canvas Board, 7″ X 9″

Outlined Vase Family, Sep 16, 2018, Oil on Canvas Board, 2 pcs, each 7" X 9"

Outlined Vase Family, Sep 16, 2018, Oil on Canvas Board, 2 pcs, each 7″ X 9″

Abstract Blue Corner, Sep 16, 2018, Oil on Canvas Board, 6" X 6"

Abstract Blue Corner, Sep 16, 2018, Oil on Canvas Board, 6″ X 6″

Red Bottle, Sep 30, 2018, Oil on Canvas Board, 2 pcs, each 8" X 10"

Red Bottle, Sep 30, 2018, Oil on Canvas Board, 2 pcs, each 8″ X 10″

 

Abstract Red Circle, Sep 30, 2018, Oil on Canvas Board, 6" X 6"

Abstract Red Circle, Sep 30, 2018, Oil on Canvas Board, 6″ X 6″

Separate, Oct 13, 2018, Oil on Panel, 2 pcs left 10" X 8", right 8" X 8"

Separate, Oct 13, 2018, Oil on Panel, 2 pcs left 10″ X 8″, right 8″ X 8″

Textured Abstract, Oct 13, 2018, Mixed Media on Masonite, 8" X 10"

Textured Abstract, Oct 13, 2018, Mixed Media on Masonite, 8″ X 10″

Plaster with Cups, Oct 27, 2018, Mixed Media on Panel, 10" X 10"

Plaster with Cups, Oct 27, 2018, Mixed Media on Panel, 10″ X 10″

Perhaps I Shouldn't Have, Nov 10, 2018, Oil on Canvas Board, 14" X 11"

Perhaps I Shouldn’t Have, Nov 10, 2018, Oil on Canvas Board, 14″ X 11″

“Art is a guarantee of sanity.” – Louise Bourgeois

November 6, 2018

And here are my October drawings of hands:

 

Inktober was my inspiration to use ink in all of my drawings this month. This included markers here and there, but as I enjoy working with a brush and ink, that was what I chose most often. Regardless of the ink I use, I generally start with three different shades with the addition of black at times. India ink is my favourite ink and I would create three different dilutions of greys to work with. I like the way that India ink lightens as it dries as I often overestimate how dark I want to work at first. For this same reason, I avoid using undiluted India ink as it is far too black for my taste. I like that India ink is waterproof as it allows me to layer and build up my darker areas as I go. I experimented in a lot of these drawings with other inks – mostly J.Herbin inks and a few other odd bottles I’ve accumulated. Some days I would mix a drop or two of one of my coloured inks in just to see what would happen (thus Shrek hand on the 27th).

Diluting India ink to the different greys I want is tedious at times, so when I found the Ecoline inks in grey, I thought that would be a huge improvement. They are beautiful inks, but not waterproof, so my layering technique resulted in a fair bit of muddiness. Clearly, I need to develop another approach to use with watercolour inks.

Overall, I think this month’s drawings went well. One of my goals this year has been to work with different media and different papers and I played a lot and learned a few things in the process.

“Another belief of mine: that everyone else my age is an adult, whereas I am merely in disguise.” – Margaret Atwood

July 31, 2018

Warm Mineral Still Life, Jun 16, 2018, Oil on Canvas Board, 10" X 8"

Warm Mineral Still Life, Jun 16, 2018, Oil on Canvas Board, 10″ X 8″

Warm Modern Still Life, Jun 23, 2018, Oil on Canvas Board, 10" X 8"

Warm Modern Still Life, Jun 23, 2018, Oil on Canvas Board, 10″ X 8″

Cool Modern Still Life, Jun 30, 2018, Oil on Canvas Board, 10" X 8"

Cool Modern Still Life, Jun 30, 2018, Oil on Canvas Board, 10″ X 8″

Cool Mineral Still Life, Jul 10, 2018, Oil on Canvas Board, 10" X 8"

Cool Mineral Still Life, Jul 10, 2018, Oil on Canvas Board, 10″ X 8″

Warm Mineral Wheel, Jun 16, 2018, Oil on Canvas Board, 10" X 8"

Warm Mineral Wheel, Jun 16, 2018, Oil on Canvas Board, 10″ X 8″

Warm Modern Wheel, Jun 23, 2018, Oil on Canvas Board, 10" X 8"

Warm Modern Wheel, Jun 23, 2018, Oil on Canvas Board, 10″ X 8″

Cool Modern Wheel, Jun 30, 2018, Oil on Canvas Board, 10" X 8"

Cool Modern Wheel, Jun 30, 2018, Oil on Canvas Board, 10″ X 8″

Cool Mineral Wheel, Jul 10, 2018, Oil on Canvas Board, 10" X 8"

Cool Mineral Wheel, Jul 10, 2018, Oil on Canvas Board, 10″ X 8″

I have a tendency to paint with the same colours over and over. I use my favourites and I am not unhappy with the results, but I would definitely gain from expanding my horizons. These paintings are an attempt in that direction. Gamblin puts out a chart of their colours categorized by pigment type – Modern and Mineral Colours. I thought it would be interesting to create a series of paintings using colours in each group, choosing three warm primaries and three cool primaries from each category and mixing my secondary colours to produce four different paintings of the same subject matter. I started with a colour wheel for each to get a feel for the colours before I started working with them. I’ve discovered some new favourites in this process and I’m playing with a few more ideas for future work springing from this experiment.