Day Three

Another painting done and I enjoyed this one more.


I drew it out first, but found that frustrating. I had a lunch date and had to rush off after I finished it, thinking I’d photograph my still life set up later to post. And then I ate the grapes as I was running out the door. Of course they looked JUST LIKE in my painting. I started with a grey panel and I liked the experience of that. I’m getting a little annoyed with having to fill the whole background in; it feels uneccessary, so I prepped some panels to provide different background options. They’ll need a few coats of gesso before they’re ready, but we’ll see how that turns out. Could be good, could be a learning experience…



And now, something a little different… Day One, Painting One.

I have painted very little this year – I just haven’t felt like it. And I think that’s a pretty poor excuse. So now that I’m on vacation, I have decided to paint a small still life painting every day until I go back to work on August 1. I’m hoping this will motivate me to push through and just do the work. It may not be pretty, but I am determined.

This was difficult. I was tired and did not feel like doing it. But I don’t always feel like doing my daily drawing and I just do it anyway and I did the same thing here. I started by covering my 8″ x 10″ panel with a diluted layer of burnt sienna and then did a quick drawing of my subject with more dilute burnt sienna before wiping away the paint from the lightest parts of the image. From there I mixed a few colours and filled in some of the major pieces a bit roughly. Then I moved from area to area filling in details and adding tone. I don’t know that I have a really great process – I’m working on that concept yet – but it got me through this painting. I don’t love the result. I see some depth created with the apples and the bowl, but the background is really flat and weird. And you can see that I rushed at the end with the fabric that the bowl is sitting on. I included this bit of folded canvas because I like painting fabric, but I was just too tired. And that’s one painting done.

“Art has always been the raft on to which we climb to save our sanity.” – Dorothea Tanning

March 20, 2017
Another Cezanne Lemon, Mar 18, 2017, Oil on Canvas, 10" X 10"

Another Cezanne Lemon, Mar 18, 2017, Oil on Canvas, 10″ X 10″

Only a couple of things to post this week. The first is a new copy of a master lemon painting. This one is from “Fruit and a Jug on a Table” as featured on the Museum of Fine Arts Boston site.
Colour Wheel 1, Mar 18, 2017, Oil on Canvas Paper, 12" X 12"

Colour Wheel 1, Mar 18, 2017, Oil on Canvas Paper, 12″ X 12″

I completed the next lesson in my Craftsy class – creating a colour wheel with Burnt Sienna, Yellow Ochre, Titanium White and Mars Black with a 50/50 mix of black and white standing in for blue. It was an interesting idea and I thought it turned out fairly well – especially as I avoided using multiple brushes by working with a palette knife instead.
Colour Wheel 2, Mar 18, 2017, Oil on Canvas Paper, 12" X 12"

Colour Wheel 2, Mar 18, 2017, Oil on Canvas Paper, 12″ X 12″

I liked this format for a colour wheel so much that I decided to go on and do another one using primaries and secondaries directly from the tube based on Betty Edwards recommendations in her book Color: A Course in Mastering the Art of Mixing Colors. Colours used are Cadmium Red Medium, Cadmium Yellow Pale, Ultramarine Blue, Cadmium Orange, Cobalt Violet and Permanent Green. I added Titanium White and Mars Black for the tints and shades. I could have done some smoother gradations on this one, but it serves its purpose all the same. And no brushes to clean!