“There is no learning without having to pose a question. And a question requires doubt.” – Richard Feynman

November 1, 2016

Reclaimed Lemons, Oct 29, 2016, Oil and Acrylic on Canvas, 14" X 14"
Reclaimed Lemons, Oct 29, 2016, Oil and Acrylic on Canvas, 14″ X 14″

 

Circle Composition Four WIP, Oct 29, 2016, Oil on Canvas, 6" X 6"
Circle Composition Four WIP, Oct 29, 2016, Oil on Canvas, 6″ X 6″

 

Circle Composition Seven WIP, Oct 29, 2016, Oil on Canvas, 6" X 6"
Circle Composition Seven WIP, Oct 29, 2016, Oil on Canvas, 6″ X 6″

Another reclaimed canvas – this time with lemons. Again, not that pleased, but it is what it is. I played a bit more with my 6″ X 6″ canvases too. And I think those went a little better…

“There’s a blaze of light In every word. It doesn’t matter which you heard. The holy or the broken Hallelujah” Leonard Cohen, Hallelujah

October 24, 2016

Another painting on a reclaimed panel – not as successful as last week though – I seem to struggle with the illusion of volume when I’m dealing with darker coloured objects. Or maybe it was the variation of the colour of the apples that threw me. Either way, I need to go back and try another one of these next week, eliminating one of these two factors so that I can work through this. Hopefully I’ll do better next time. It’s all about learning…

Moderately Reclaimed Apples, Oct 22, 2016, Oil on Canvas Board, 14" X 11"
Moderately Reclaimed Apples, Oct 22, 2016, Oil on Canvas Board, 14″ X 11″

 

Moderately Reclaimed Apples Underway 2
Moderately Reclaimed Apples Underway 2

My new work commute has me listening to podcasts and I have a new favourite – Revisionist History with Malcolm Gladwell. And this episode, which in Malcolm’s words is about “the role that time and iteration play in the production of genius, and how some of the most memorable works of art had modest and undistinguished births.” Very interesting.

 

“When bankers get together for dinner, they discuss Art. When artists get together for dinner, they discuss Money” – Oscar Wilde

October 17, 2016

Reclaimed Pears, Oct 15, 2016, Oil on Canvas Board, 11" X 14"
Reclaimed Pears, Oct 15, 2016, Oil on Canvas Board, 11″ X 14″

 

Sketchbook Orange, Oct 11, 2016, Graphite & India Ink on Paper, 10.5" X 13.5"
Sketchbook Orange, Oct 11, 2016, Graphite & India Ink on Paper, 10.5″ X 13.5″
Sketchbook Pear, Oct 14, 2016, Charcoal & India Ink on Paper, 10.5" X 13.5"
Sketchbook Pear, Oct 14, 2016, Charcoal & India Ink on Paper, 10.5″ X 13.5″

This week I spent a little time drawing fruit and then painted more fruit on the weekend. I reclaimed a canvas board that I’d previously been playing around with and decided to incorporate what was already there into the new image. I like this idea and may have to try it again soon. It somehow makes it all seem less precious – probably because it’s not a blank canvas that I’m beginning with. And maybe the fact that I’m recycling something that wasn’t really anything to begin with. (if that makes sense) I took a few pictures along the way. Lots of glare on the finished piece – hopefully I can get a better shot of it down the road.

Reclaimed Pears Underway 1
Reclaimed Pears Underway 1

 

Reclaimed Pears Underway 2
Reclaimed Pears Underway 2

“Criticism is something we can avoid easily by saying nothing, doing nothing, and being nothing.” —Aristotle

October 10, 2016

The Box, 1994, Acrylic on Masonite, 22.5" X 24"
The Box, 1994, Acrylic on Masonite, 22.5″ X 24″

 

Venus Averaged, 1995, Acrylic on Canvas, 33" X 45"
Venus Averaged, 1995, Acrylic on Canvas, 33″ X 45″

 

I spent the weekend out of town visiting family. With no time at home to paint, instead I’m posting two paintings from long ago that I found hanging on the walls of my mom’s and my sister’s homes. Both of them make me think I should play with similar ideas again.

The top image was an exercise in rendering shallow depth and a variety of textures with a still life built in a pizza box. There are so many things about this image that leave room for improvement.

Venus Averaged was one in a series of images inspired by the work of Chuck Close. My take on it was to break Venus up into a grid and then lay down the average of the colours that appear within that grid onto my canvas in the same grid location. Once complete, is the image still recognizable as Venus? Pushed further, at one point does the image become unrecognizable? It’s a little like seeing someone you know from a distance – how much detail do you need in order to recognize them? There were a few other canvases in this series but I don’t recall if I ever formed any answers to these questions.

Back home today I was able to spend a little time drawing and making notes about shadows.

a bit of practice working on creating volume
a bit of practice working on creating volume

 

“People need trouble – a little frustration to sharpen the spirit on, toughen it.”

October 3, 2016

“People need trouble – a little frustration to sharpen the spirit on, toughen it. Artists do; I don’t mean you need to live in a rat hole or gutter, but you have to learn fortitude, endurance. Only vegetables are happy.”

– William Faulkner

Geometric Shapes, Oct 2, 2016, Oil on Birch Panel, 16" X 12"
Geometric Shapes, Oct 2, 2016, Oil on Birch Panel, 16″ X 12″

With an adjustment to a new job and a longer commute, I decided to take some time off from painting. And there was also that complete loss of inspiration to create any sort of artwork I’ve been experiencing. But back in my studio with the smell of linseed oil and the Russian birch panel in front of me I realize that I missed this. Regardless of whether I love or hate the product of my efforts, I need to keep coming back.

This painting is an exercise in rendering geometric shapes. I am hoping to focus on these shapes as my subject matter this month and see if I can’t develop some skill in creating the illusion of volume. Fortunately for me, it seems I have a lot of room for improvement…