The first four hours.

July 13, 2014
Peppers
Peppers, Jul 12, 2014, Ink on Paper, 12″ X 9″

Having recently read “The First 20 Hours”, I decided to put it into practice. I have studied colour theory before, so it’s not a topic that is entirely new to me, but I figured that I have a lot to gain by re-educating myself on colour theory and colour mixing. Right now it’s not a skill I can brag about. So I’m getting to know my friend Betty Edwards a bit better with her book “Color A course in mastering the art of mixing colors” and besides the fact that she continually leaves out the U in COLOUR, I am finding it very helpful. Some of what I have learned so far:

  1. Betty firmly believes (and I agree) that artists should be trained sequentially in, FIRST, drawing – learning to use line and then to add VALUE, SECOND, colour theory and LASTLY, the combination of these skills to create paintings. This is very logical in my mind. not absolutely necessary, but it appeals to my methodical side. In fact this reminds me very much of a particular post by Robert Genn that informs my personal educational mission to improve my skills as an artist.
  2. Betty has a three step algorithm for mixing colour – again, how can this NOT be cool? Now if she could only break down the painting of the Sistine Chapel into three similarly straight-forward steps, life would be truly good. Steps are: 1. Identify the colour wheel HUE that is the base of the colour. 2. Identify the VALUE of the colour and 3. Idenitify the INTENSITY of the colour. And mix the colour. Very helpful.

College Artwork

February 25, 2014

Having had no opportunity to paint this past week I have no new artwork for my blog. Instead I am posting artwork that I created in college while I was studying graphic design. After storing these pieces for years, moving from one place to another, about ten years ago I decided to photograph the ones I liked and to toss the originals. Sadly, what I thought were good photos at the time were very mediocre. And some of the dates are best guesses – as are most of the dimensions. Most of these were done as specific assignments – some quite obviously. Other’s not so much. Clearly I preferred some mediums far more than others. And maybe one day I’ll gain some rudimentary skill with watercolour – or not. And that’s ok. It is what it is.

Benetton Wasteland
Benetton Wasteland, Apr 1990, Watercolour & Gouache on Illustration Board, 24″ X 19″
Too Late Already
Too Late Already, Mar 1990, Silkscreen on Mayfair, 20″ X 24″

 

Single Family
Single Family, Feb 1990, Tech Pen on Illustration Board, 26″ X 12″
Not the Red Planet
Not the Red Planet, Nov 1989, Watercolour & Gouache on Mayfair, 14″ X 14″
Timeless
Timeless, Oct 1989, Tech Pen on Illustration Board, 24″ X 20″
The Ultimate Driving Experience
The Ultimate Driving Experience, Oct 1989, Coloured Pencil, Marker & Inkjet on Paper, 8.5″ X 11″
Eleventh Hour
Eleventh Hour, Mar 1989, Gouache on Mayfair, 15″ X 18″
Fashion Bits
Fashion Bits, Feb 1989, Gouache on Mayfair, 8″ X 16″
Pentax K-1000
Pentax K-1000, Jan 1989, Tech Pen & Ink on Illustration Board, 18″ X 13.5″

 

Life Drawing Sketch
Life Drawing Sketch, Dec 1988, Vine Charcoal on Newsprint, 20″ X 24″

 

Life Drawing Sketch
Life Drawing Sketch, Nov 1988, Vine Charcoal on Cartridge Paper, 20″ X 24″

 

Life Drawing Sketch
Life Drawing Sketch, Oct 1988, Vine Charcoal on Newsprint, 24″ X 20″
Life Drawing Sketch
Life Drawing Sketch, Sep 1988, Vine Charcoal on Newsprint, 24″ X 20″

 

 

 

 

 

 

 

 

 

 

Less talk, more art.

February 16, 2014

“Life beats down and crushes the soul and art reminds you that you have one.”

– Stella Adler

One Half Valentine's Day
One Half Valentine’s Day, Feb 14, 2014, Acrylic on Canvas Board, 14″ X 11″
Empty Pots
Empty Pots, Nov 1988, Charcoal on Paper, 20″ X 24″
Great Tights
Great Tights, Jun 1988, Graphite on Paper Grid Drawing, 30″ X 38″
Everything in Front of You
Everything in Front of You, Feb 9, 1988, Ink on Paper, 20″ X 24″
Green Bananas
Green Bananas, 1985, Charcoal and Conte on Construction Paper, 11″ X 8.5″

Life Drawing, November 5, 2013

Having survived a very busy last few weeks, I am finally getting around to posting the results of my last two Life Drawing classes. On our second last class, we began by drawing with a stick dipped in India Ink. In spite of the puddles of ink on the floor, I really enjoyed this technique. Maybe with a drop cloth I could start doing this at home. Or not. It definitely helped us loosen up our drawings and be more spontaneous. Later on in class we were able to switch to brushes and ink and then charcoal.

First five: Figure Sketches, India Ink on Newsprint, 18″ X 24″.

Last two: Figure Sketches, Vine and Compressed Charcoal on Newsprint, 18″ X 24″.

5 Nov 2013 India Ink and Stick Two5 Nov 2013 India Ink and Stick Six 5 Nov 2013 India Ink and Stick Seven5 Nov 2013 Brush and India Ink Two 5 Nov 2013 Brush and India Ink Three5 Nov 2013 Compressed Charcoal Two 5 Nov 2013 Compressed Charcoal Three