Drawing
“I’m only trying to do what I can’t do.” – Lucian Freud
April 9, 2017
Three months complete in my 2017 Drawing A Day Challenge! Here is all of March in one place:
Thoughts so far:
- My drawings take me anywhere from 10 minutes to 30 minutes to do and although I often don’t feel I have the time, I have continued to make it happen. Generally once I start drawing I stop thinking about time – generally. There are many days I struggle to get into it. And it shows in the quality of the drawing.
- What bothers me most about my drawings is the lack of accuracy. For April I will focus on improving on this. I will work with diluted India ink at first and then darken up final lines when I feel I have them where they should be.
“One must go on working silently, trusting the result to the future.” – Vincent Van Gogh
March 6, 2017
So my February drawing challenge was to draw from photographs using black ink and grey markers. I had thought drawing from photos would be easier, and although the actual drawing was easier as everything is already flattened, I did not enjoy it as much. It was a pain to find images that I liked and I doubt I’ll do it again. The grey markers were to help me notice value more, but it wasn’t until the 13th that I clued in that I needed to shift how I was working and focus on the various values of the forms rather than drawing outlines in black and filling them in with grey. There are a few drawings that I like in the group, quite a lot that I don’t care for and some that I consider cringe-worthy. And that’s ok. It’s an experiment and it’s all good.
What I gained most in February was more ease in jumping in and being less precious about the result. I’ve reached the point where I care less about how each drawing turns out and more about the practice of drawing.
I completed the second and third lessons in my Craftsy class with the result of the third lesson below. And although I understand the point, I’m getting a little tired of painting the same subject over and over. Apparently I have a short attention span. We’ll see what lesson four brings.

“Draw lines, young man, many lines, from memory or from nature; it is in this way that you will become a good artist.” – Jean Auguste Dominique Ingres
February 7, 2017
“We only see what we look at. To look is an act of choice.” – John Berger
January 16, 2017
My work from the last two weeks:

The latest in the 6″ X 6″ Circle Composition series:

And my daily drawing challenge so far:
“When bankers get together for dinner, they discuss Art. When artists get together for dinner, they discuss Money” – Oscar Wilde
October 17, 2016



This week I spent a little time drawing fruit and then painted more fruit on the weekend. I reclaimed a canvas board that I’d previously been playing around with and decided to incorporate what was already there into the new image. I like this idea and may have to try it again soon. It somehow makes it all seem less precious – probably because it’s not a blank canvas that I’m beginning with. And maybe the fact that I’m recycling something that wasn’t really anything to begin with. (if that makes sense) I took a few pictures along the way. Lots of glare on the finished piece – hopefully I can get a better shot of it down the road.

“Criticism is something we can avoid easily by saying nothing, doing nothing, and being nothing.” —Aristotle
October 10, 2016


I spent the weekend out of town visiting family. With no time at home to paint, instead I’m posting two paintings from long ago that I found hanging on the walls of my mom’s and my sister’s homes. Both of them make me think I should play with similar ideas again.
The top image was an exercise in rendering shallow depth and a variety of textures with a still life built in a pizza box. There are so many things about this image that leave room for improvement.
Venus Averaged was one in a series of images inspired by the work of Chuck Close. My take on it was to break Venus up into a grid and then lay down the average of the colours that appear within that grid onto my canvas in the same grid location. Once complete, is the image still recognizable as Venus? Pushed further, at one point does the image become unrecognizable? It’s a little like seeing someone you know from a distance – how much detail do you need in order to recognize them? There were a few other canvases in this series but I don’t recall if I ever formed any answers to these questions.
Back home today I was able to spend a little time drawing and making notes about shadows.

“To me, beauty appears when one feels deeply, and art is a by-product of an act of total attention.” – Dorothea Lange



Three images this week. The glass of my lemon vase slowly develops, open books gain some definition and I manage one of my three drawings for the week. And ‘manage’ is a term I use loosely… It’s been an odd week though – hopefully this one is better.
“No artist tolerates reality.” Friedrich Nietzsche
August 15, 2016

This painting slowly inches along while my weekly drawing challenge has become a quest to find a medium that I like using with this TerraSkin sketchpad I’m using. The paper itself is made from stone and can handle pretty much any medium, but they behave differently than on conventional paper. I would be happy if I could find something I could tolerate. Perhaps this week will be better than the last.
