March 7, 2016
My quote this week came to me courtesy of Who Said That. Read more of Tobias van Schneider’s thoughts.

March 7, 2016
My quote this week came to me courtesy of Who Said That. Read more of Tobias van Schneider’s thoughts.

February 29, 2016

This piece is progressing. I’m currently planning to complete the drapery in the background in a less posterized fashion than the apples, but I’m not completely sure. I’m kind of just playing with this as I go and making decisions along the way. My apples may still change completely before I call this finished.
February 22, 2016

Here’s the new painting on my easel. I had taken photos of fruit right after Christmas and had picked two images to paint early in the new year – prepping both canvases at the same time. I thought that if I had two larger paintings going at once, if I got bored or stuck working on one, I’d just move to the other. My unfinished still life with the red apple is annoying me currently, so I started looking at this one and was not as interested as painting it as I had been back in January. To make it more interesting I have decided to play a little. I am working with book paper and transparency in the background and simplifying the gradation of the images throughout. I’ve converted the image to black and white in Photoshop and then posterized it to five tones of grey plus black and white. It’s still early on and I may change it entirely before the end, but here’s the beginning of the image. Any comments are welcome.
February 8, 2016
Something a little different today. On December 31, my kids and I visited the Art Gallery of Alberta. One of the exhibitions was of the work of Chris Cran – my current favourite Alberta artist. After seeing some of his work with paintings of half-toned images, I thought I’d play a little. This is more of an experiment to see how the technique would work in preparation to play with these ideas more in future pieces.

I started by painting the surface of a 6″ X 6″ canvas with flourescent pink acrylic paint and the edges with black gesso. Then I taped stripes onto the surface and covered it with a layer of acrylic gloss medium.

I proceeded to paint a half-toned image over the tape in oil paint. While the paint was still wet, I removed the tape.

One of the questions that this experiment poses is, how much of an image do we have to have available to us in order to understand what we’re seeing? There is a lot of room for improvement with this. One of the biggest problems here is that my scale is all wrong. But it’s the first one. I will continue to play with this idea for a bit and see what I can come up with.
January 11, 2016
“Sometimes there are rare golden moments, moments of bliss and dreamlike poetry … That’s what gives me my passion and the fuel I need to continue moving paint across a fresh, waiting canvas.” – Eric Frantz
Spent another hour and a half on this on the weekend. Still a long way to go…

January 4, 2016